|Number of Seeds||250 seeds|
|Spacing in Row||4 inches|
|Spacing Between Rows||8 inches|
|Planting Depth||0 inches|
|Days to Germination||5-10 days|
|Days to Maturity||65 days|
|Height at Maturity||12 inches|
|Width at Maturity||6 inches|
How to Grow
Start indoors 6 weeks before last frost by sprinkling a few seeds on the surface of pots and disturbing the soil a bit, then watering in. Thin if necessary, and tranpslant outdoors when plants are 2 inches high. Alternately, direct sow by lightly scattering seeds in a well prepared bed, then thin the indicated spacing. Denser plantings result in a showier displant of blooms. Linaria requires medium fertility and moderate water.
Art by Kristin Egan. Kristen is mixed media artist specializing in sculpture and collage. A BFA graduate of Alfred University with a concentration in environmental science, Kristen currently works from her home studio in rural southeastern PA. Kristen was the Gallery Coordinator for the GoggleWorks Center for the Arts for three years, and now works as a freelance artist and teacher, and as a production artist for G.I.Bow, a company that creates hand-made archery equipment. Her work can be seen at the Walk In Art Center in Schuylkill Haven, PA, Mud & Maker in Pottsville, PA, Arch Enemy Arts Gallery in Philadelphia, and online.
From the Artist: "Art and science, in my experience, are intricately connected; they are the means by which we explore and understand the universe. When people plant gardens, they begin with a concept - a vision of what the garden will produce, or how it will look - then they manipulate their raw materials (seeds, soil, water, etc.) to achieve that result, with varying degrees of success. Though the mediums are different, the process of making art is generally the same. My 2-dimensional work is usually a combination of drawing, painting, and collage. I wanted to capture a sense of movement with the aurora and the toads jumping, and I think the very busy and somewhat chaotic effect of the flowers adds to that. Collaging is like building a sculpture with found objects - you start with a general idea of what you want it to look like, but the end result is determined to some degree by the materials themselves. I wasn't sure exactly how I was going to handle the very complex structure of the toadflax flower, or capture the ethereal nature of the northern lights, but once I started cutting and layering different types of paper, it started to evolve."
Medium: mixed media collage
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